In the fifth instalment of David Clark’s Edit, we profile Surry Hills-based interior designer Michael Bechara.

What attracted you to the world of interiors and design?

I grew up in a family of builders and developers so my path was paved to some degree. I took an interest in both the design and process involved and how strongly connected they are, eventually leading to my Design and Project Management practice.

Who are the people alive or dead that you think are/were truly inspirational?

Carlo Mollino, Jean Prouvé, Quentin Tarantino & Vivienne Westwood.

The softer forms created by the sheer curtains and decorative lighting take the hard edge off this Surry Hills bachelor pad.

How would you describe your signature style?

Interiors layering contemporary details and referencing modernist mid 20th century design.

Do you have a favourite residential project?

To give a project so much attention, any current projects have to be favourite. I have many favourites based on both design results and great client relations.

Art, lighting and classic furnishings added character and drama to this contemporary Double Bay apartment dining room.

What do you think works without fail?

A well-considered lighting schedule. For me, it’s the most important aspect of an interior.

What matters to you most in the work that you do?

The most important aspect would be that the design as a whole represents my clients through my interpretation. Taking a client’s brief and pushing the ideas to a level which excites them without going off on a tangent.

Michael Bechara custom designed the brass mailbox and furnishings to personalise an Art Deco foyer in Sydney’s CBD.

What is your design pet hate?

From a practical point of view, beds with vast quantities of scatter cushions.

What do you think works without fail?

Honest use of materials and simplicity.

A kitchen renovation in Coogee – the handmade tiles and bespoke detailing gave this new kitchen some old world charm.

What do you look for in the people you work with?

Those who have an attention to detail, treat every job/task as it if it were being implemented on their own home and those who are easy to work with and make detail look effortless.

What do you look for in the clients you work with?

That sense of trust and approval of ideas. Once established, it becomes a great experience for all involved.

A lounge / home theatre in a Sydney residence.

You have had much peer recognition over the years. Is there a key moment that matters most?


My first editorial was a key moment in that it gave me reassurance I was on a path which would appeal.

What would the future bring that would make your career complete?

The opportunity to expand from customised furnishings and lighting (site specific at the moment) to a range available in the retail market.

Images – Justin Alexander

To learn more, visit the Michael Bechara Design website. 

Click here to see all the designers we’ve profiled so far in David Clark’s Edit.

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If you’re not already suffering from the Monday blues, our indigo-hued finds this week may push you over the edge.

Like everyone else. we’re obsessing a little over the Ro Chair, launched in Milan by Spanish designer Jaime Hayon for Fritz Hansen. Start saving; it will be available from September 2013.

We loved the cement tiles from Sonya Marish’s Jatana Interiors, featured on The Design Files.

A great lover of blue in all its hues, stylist & house whisperer Megan Morton positively glowed in a lovely profile piece on Paula Joye’s Lifestyled blog.

We were excited to see the hand-painted timber tiles by our friends Bonnie and Neil in Trixie & Jonno’s bedroom on The Block Sky High.

Image credits (from top):  Fritz Hansen, Toby Scott, Paula Joye, Ninemsn.com.au

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With Winter on its way, we’re taking one final trip to the beach this week with Jacqui Fink’s hand-made find, Maryla Surf Lifestyle.

Maryla Surf Lifestyle is the creative vision of Melbourne based artist/designer Maryla Johns. Maryla makes hand-crafted textiles and artworks for the home which are a fresh and contemporary take on the essential beauty, spirit and energy of coastal living.

‘Surf Swirl’ giclée art print.

With Melbourne’s Bells Beach as her inspirational mainstay, how Maryla manages to stay energised in that cold southern weather is beyond me. I need to send Maryla one of my woollies.

A selection of cotton & linen cushions evoking coastal views.

Nonetheless, Maryla’s creations are absolutely evocative of long summer days and I am totally drawn in by them. I want a couch full of Maryla’s cushions just to get myself through Winter.

Visit the Maryla Surf Lifestyle to find your own piece of coastal cool.

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Today on the blog, T&W stylist and boy from the bush, Adam Powell, shares a riches to rags to riches styling tale of when bad things happen to good people.

Even as an interior stylist working in the industry, I’m sure you feel the same as I do when flicking through homewares magazines: Who are these people? Why are their homes so perfect when mine is so… well loved? How come everything just seems to work so effortlessly?

It’s easy to think that nothing ever goes wrong in the hands of a top decorator. No piece out of place. No purchase mistakes in the heat of the moment. Every bold paint choice a tour de force of on-trend colour foresight. With so much perfection presented to us every day, it’s easy to get disheartened about improving your own humble abode.

So with that in mind, I thought I’d share with you something a little different – a story from our own professional lives of when something did go wrong, and what we did about it.

We shoot three or four lifestyle scenes a day, so time is always precious and never on our side. One scene can involve many hours of concepting, sourcing and shooting, requiring lots of planning so things go smoothly when the camera starts clicking.

My big shoot for the day was an old T&W favourite, Nomadic Marketplace Persian textiles, but this time I wanted to represent them in a different way. I wanted to show people that even in a contemporary home, by drawing on certain elements from traditional textiles you can work them into a modern setting.

The hero piece that provided this foothold into the possibility of modernity was a colourful patchwork rug with bright pops of saturated yellows and turquoise, which sent me off into creating a contemporary inner city apartment with a masculine edge.

After prepping, propping, composing, lighting, and final art checks, we had our beautiful scene all shot, done and dusted. Exactly what I had in my head. It was perfect. Only problem was – we’d been given the wrong rug.

My heart sank. Despair set in. We stared blankly at our substitute. It didn’t have the colour pops that gave birth to the rest of the room. It just… didn’t work. We scrambled for excuses. “Can we just have the rug just at the edge? Can we put a little note on the rug saying “please don’t look at this rug???” The whole room was based on this rug; without it we may as well scrap it and start again.

Our Head of Styling Jess Bellef popped her head in. “Ok, so let’s think on our feet. We have to shoot something, we have to shoot it now, and we have to use this rug – what can we do to make this work?”

The new rug was a much more traditional rug, with a much more muted, neutral palette. With only 30 mins of studio time left, I needed to change the scene quickly, and I didn’t have time to run about town sourcing other options. The key furniture and props had to stay, and I was at the mercy of whatever we had about the studio. But what to change?

Clearly I had to address colour. The new rug had an ivory and navy base with small muted pops of red, orange and green. My highly saturated yellows had to go, their departure radically changing the tone of the room. Our thirtysomething lower east side bachelor was now ageing gracefully into his forties. The floor lamp was going. The blues were staying.

I introduced some more classic, neutral pieces. His penchant for pop art had matured into dusty bronzed metallics, his classic bright teal chair transforming from a contemporary colour pop to an elegant estate. Hints of gold continued this sophisticated look, and by adding a few key vintage items gave the room history and character. Crisis averted people, we made it.

The lesson? You don’t have to change everything about your home to feel change. Sure, some of your favourite bits and bobs may have to take a spell, but you don’t need to think you have to throw the baby out with the bathwater to freshen up your look. You just need to understand the stories things in your home are telling, and make sure they’re all speaking the same language.

And most importantly, remember things don’t always go to plan, but if you think hard and stick at it, they always work out in the end.

Adam Powell told his story to T&W Creative Director Chris Deal. Follow Adam on Instagram @theboyfromthebush

Shop for Persian rugs, cushions & ottomans at our Nomadic Marketplace sale.

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Vintage homewares emporium I Like Birds has recently moved to a new space at 27 William Street Paddington (Sydney) to take advantage of a bigger space with a proper window (pictured above), all the better to display owner Tamara Turnbull’s unique wares. Stylist Mr Jason Grant recently paid a visit – here’s a taster of what he found.

Image – Simon Bernhardt.

We visited Tamara’s home last year and admired her style, which mixes old & new items with lots of greenery (influenced by her background as a florist) and neutral materials. The store works as a natural extension of this – it’s a very personal curated collection of quirky new items and Tamara’s market and vintage finds.

Image – Simon Bernhardt

T&W stylist Adam Powell often pops in to borrow props for T&W shoots, including rattan pendant light shades and beaded chandeliers, and you’ll often find Mr JG there too. If you can beat a path through the stylists, we thoroughly recommend a visit.

Tamara is still working on her website, but if you’re not in Sydney check out the I Like Birds Facebook page which is often updated with her new finds.

Images by Simon Bernhardt.

Visit Mr Jason Grant’s blog to see more from his visit to I Like Birds.

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In the fourth instalment of David Clark’s Edit, we profile Sonia Simpfendorfer, Creative Director of long-established Melbourne interior design practice Nexus Designs.

Sonia Simpfendorfer. Image – James Geer.

What attracted you to the world of design and interiors?

Brought up in house where my mother, an amateur painter, always presented us with colour-balanced plates of food, I spent my childhood designing outfits for my paper dolls and my high school years doodling houses and reading as much as I could about other people’s lives.

When I discovered the collision of history, art, architecture and design in the course description for a BA Interior Design there was no choice but to follow that path.  It’s the best career. Every day and every client is different and I’ve never stopped learning.

A Tribeca loft – dusky blue and purple upholstery, warm timbers and vibrant yellow tones inspired by the NSW Blue Mountains. Image – Jonny Valiant.

Who are the people alive or dead that you think are/were truly inspirational?

The first designers that inspired me as a student designer were the freedom and colour of Ettore Sottsass’ Memphis Group, and the late French designer Andrée Putman. I was knocked out by her black & white checkerboard bathrooms for Morgans Hotel NYC and her house for artist Julian Schnabel. I discovered Nexus Designs and Terence Conran at about the same time and was struck by how powerful simplicity could be.

My design team is a source of daily inspiration. They are so passionate about giving each client their own personal experience of the Nexus Designs philosophy.  Guiding and watching the evolution of each project really gives me a buzz.  I love it.  We take the fundamental need for shelter and turn it into something beautiful, personal and highly individual.

The same Tribeca loft, formerly a wrapping paper factory. Image – Jonny Valiant.

How would you describe your signature style?

Deceptively simple.

What matters to you most in the work that you do?

Great design makes life better for people and it matters much more than people realise.  It’s not just about making things look good – they have to work well too.

A family home with vibrant red accents. Image – Fraser Marsden.

Do you have a favourite residential project?

We just finished a NYC Tribeca loft where we used a palette of purple and yellow inspired by our expat client’s favourite picture of the NSW Blue Mountains. Their happiness has had us all feeling pretty good too.

What is your design pet hate?

Too much stuff.

What do you think works without fail?

Simplifying, organising, letting go of things you don’t really need.  If you take some time to get it right once and then you can just relax, enjoy it and get on with the really important things in life.

There are a few basic principles that apply to most projects: use a minimum number of finishes, use natural materials, maximize natural light, keep the planning simple and don’t be afraid of colour.

A simple but effective family kitchen. Image – Fraser Marsden.

You oversee a significant team of employees – what do you look for in the people you work with?

For our studio I deliberately choose designers who are not only very talented, but approachable and lovely to work with too.  A great attitude is as important as great talent.

What we do is incredibly personal and we build relationships with our clients that continue long after the project is complete.  They become part of our Nexus family.

You have had much peer recognition over the years. Is there a key moment that matters most?

Peer recognition is great because they are the only ones who truly know how hard you’ve had to work to make the end result look so easy! But a delighted client is the ultimate recognition. That’s who I do it for.

Being invited to give public talks is something I always try and find time for. I believe in the power of design to make daily life better and love to talk about it and let people in to the process and principles. It’s fun too.

A family beach house on Victoria’s Bellarine Pensinsula. Image – Earl Carter.

What would the future bring that would make your career complete?

The idea of a career being complete doesn’t really apply to this profession – I imagine that for as long as you have an open mind, enormous curiosity and the desire to keep making things better you just keep designing, and experience brings so much more depth to work.

That said, for the team and for the freedom of budget and creativity I’d love a few more rock-star/movie-star houses and we all enjoy boutique hotels too – so many more people get to actually sleep in our vision that way.

For me, the day I held my first copy of Living, published by Allen&Unwin which I co-authored was pretty amazing, and I think we’re ready to do another one (or three). We have so many great images and stories that we’d love to get into peoples hands, and I love it when a new client comes in with a heavily tagged copy of one of our books – it’s a great starting point for a discussion.

A children’s room in the Bellarine Pensinsula beach house. Image – Earl Carter.

To learn more, visit the Nexus Designs website, blog or follow them on Facebook or on twitter and Instagram @Nexus_Designs. 

See all the designers in David Clark’s Edit.

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Good as gold

14 May '13

After years of stainless steel and chrome, are we warming up to the honest patina of brass and the rosy hue of copper? Are metallics the new neutral? Is gold the new silver? We mined Pinterest for answers, and found some golden moments to inspire you. 

This apartment near St Moritz by Italian architect Carlo Donati featured on the cover of Elle Decor Italia. The cool minimalism of the space is warmed up by the huge burnished brass panels over the fireplace, visible from the living area and the adjacent bedroom. What luxury on a snowy evening.

Image – Patrick Cline.

In the apartment of designer Callie Jenschke of Scout Designs in New York, flea market finds sit comfortably with items picked up travelling and newer finds. Gold and brass accents including lamps, a Moroccan tray table and hardware tie it all together and add an element of luxury. See the rest of the apartment in Lonny magazine’s August/September 2010 issue.

Never one to do things by half, LA celebrity designer Kelly Wearstler goes big on gold in this Bel Air home where she combines it with lilac, pink and grey for a feminine edge with serious wow factor. The geometric rug was a custom design from The Rug Company.

In contrast, Britain’s Farrow & Ball are known for their traditionally made and intensely coloured paints, including muddy neutrals with quirky names such as Mouse’s Back.  Imagine this room, painted in ‘Railings’, without the patina and shine of the golden lamp. Unfortunately F&B paints are not available in Australia; try Murobond for something similar.

Image – Laure Joliet.

Back on the lighter side, we love the way both matt and shiny golden side tables add even more texture to a light and colour filled LA apartment styled by Emily Henderson. See the rest of the space, including a before shot, on Emily’s blog Style by Emily Henderson.

All these images and lots more are on our Metallics Pinterest board – visit us there.

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Our fearless Editorial Director takes a bite of the Big Apple, and shares a few of her New York moments.

Confession time. I would like to start this post by coming clean. I am meant to be a worldly, design-savvy person who has a deep understanding of global style capitals. While I can lay claim to London, Paris, Madrid, Tokyo and in the US, Los Angeles and Miami, I have never, ever been to New York.

People would raise an eyebrow when I told them, so sometimes I would just nod when they talked about Brooklyn or the building at 23rd West Street and 9th (because that is how people do NY talk – in street junctions). So now I feel I am truly a (travel) adult – for I have been to the Big Apple. I have mastered the credit card yellow cab payment with 20% tip, I have had breakfast at La Buvette, shopped in John Derian and lunched at abc home; I have trodden the Guggenheim’s spiral gallery and seen the Statue of Liberty. Here is a pictorial snapshot of what I saw and what I loved. It may have been a long time coming but boy, did it deliver.

There is something about this combination of images that, to me, sums up the city. On one hand you have cutting-edge modernism in the shape of The New Museum in The Bowery – seven rectangular boxes in a shimmering skin of anodized aluminium, towering approximately 54 metres above street level.  Set in between solid nineteenth century warehouses, Tokyo-based architects SANAA created a context for contemporary art exhibitions adding a new icon to the urban landscape. At street level, the vibrancy of the city, and its cultural mix, is everywhere. Around the corner on Prince Street, Café Habana has a cult following with its renowned Mexican-style corn and Cuban sandwich winning awards and attracting locals.

I have been a long-time admirer of the John Derian aesthetic. My friend, photographer Martyn Thompson, had captured the charm of his faded eclecticism in his book, Interiors, and so it was definitely on the ‘to do’ list. While I didn’t buy up big I did get two gifts for friends – a beautiful calico container with colourful embroidered feathers and an elegant grey waffle hand towel – which both came beautifully wrapped. It is one of those shops that requires serious concentration, as there is just so much to look at, handle, fall in love with and buy. Along the street at 6 East Second Street was this wonderful raven – fittingly it could have been on a John Derian plate.

I couldn’t resist another John Derian image, as this fairly small shop manages to pack in so much interest in terms of cluttered, detailed display often contrasting with a simple impactful treatment.  Here a cushion-covered linen sofa sits in front of a Di Chirico-style artwork with a deep, dramatic perspective. Another shop with a great range of designer product is The Future Perfect. Originally Brooklyn based, the move uptown (and now a new San Francisco store) shows it is a business on the move. Stocking a range of desirable yet easy to live with brands such as Studioilse, Russell Pinch, Donna Wilson and Piet Van Eek’s Scrapwood Bucket Seat (shown here) it is well worth the visit.

Sometime a view says it all. Taken from a roof terrace at the Staten Island Ferry looking back at Tribeca, this vista is quintessentially New York – a seemingly unregulated mix of eras, building styles and architectural types. All are unapologetically monolithic and all combine to give the city its density, its character and its beauty. One of the materials that is distinctive in old NY is decorative tin panelling, used here in the interior of Le Labo, a perfumer that custom creates scents according to your personal preferences. Made to order from essential oil concentrates, your choices are blended for you and the bottle carries your name and date of fabrication. Now that makes you feel really special.

All Good Things delivers on its promise. This Tribeca store houses eight vendors of compatible ethics and quality who combine to create foodie/flower/coffee heaven. Choose a gourmet cheese from Cavaniolas, pick up a Blue Bottle Coffee, a Blue Marble ice cream, bread from Orwasher’s Bakery, an organic chicken from Dickson’s Farmstead Meats and a bunch of flowers from Pollux. It is the ultimate Saturday morning destination for every treat you want to give your weekend self.  Did I mention Nunu chocolates? Because I should have. Visiting Anthropologie in Chelsea Markets is an interesting exercise in how commerce and creativity can work together to create an exciting and serendipitous shopping experience. A beaded make-up bag – tick – a cluster of coloured ceramic vases – tick – an artist painted timber chair – tick.  If I had a bigger suitcase I would have bought more but settled for the aforesaid make-up bag which I thought had overtones of Marni and my daughter thought was plain ugly. PS: Chelsea Market also has Ruthy’s, a cake shop of awesome skill level (particularly if you are under 12 years old). Perfect replicas of Big Bird from Sesame Street sat beside Barbie in a ball gown and an impressive SpongeBob SquarePants.

Frank Gehry is one of the world’s most challenging and controversial st-architects but this building, for Barry Diller’s IAC empire, is controversial for not pushing the architectural envelope quite far enough.  But I have to stay whipping along the West Side Highway day and night in yellow cabs the building, with its folds, shadows and smudged-effect windows looked evocative and beautiful from dawn to dusk.  Another winner from Anthropologie is this Fes Patel chair – a simple modernist shape takes on a new identity with faded kilim upholstery.

One of the undeniable shopping highlights was the trip to abc carpet and home. It is a store that takes a stand and at the time of our visit the windows were focusing on the issue of fracking, yes fracking, in a campaign spearheaded by Yoko Ono. Fracking aside, it is a wonderful emporium of all things design-worthy from jewellery to furniture  and so much creative effort goes into the displays – like this laboratory-style set up in the vintage  section. The store requires serious amounts of time to do it justice. Hence we went twice and all our gifts came from there, my daughter spent her holiday money there and we even had lunch at the abc kitchen. Apparently an evening booking is hard to come by so we grabbed the opportunity at lunchtime. She had a small-scale pizza and I had a large-scale salad. We had both just had our nails done and she couldn’t resist a photo with the delicate side-plate on our table.

Brunch is big in NY and we made the most of this in-betweeny meal. This orange waffle was served at Café Gitane, a French Moroccan hangout in Nolita’s Mott Street. The coffee was so good we had seconds and that is not something you do everywhere in NY. Other top breakfast spots are La Buvette (we came pretty much off the plane from LA, were there before it opened, and still joined a queue), where the scrambled eggs are that deep rich yellow that you just know indicates a happy hen. Paris in New York – what a great cultural combo. We had a breakfast meeting with the editorial side of US online retailer One Kings Lane and swapped stories at Locanda Verde, in the Greenwich Hotel. I ordered a dish recommended to me – sheep’s milk ricotta with truffle honey and burnt orange toast. I didn’t need to be told twice. This impressive sculpture is only part of a massive structure called ‘Red, Yellow and Blue’ by artist Orly Genger. 1.4 million feet of nautical rope wends its way around Madison Square Park creating a huge organic installation.

Sometimes it is good to have a bit of home in a foreign city. We stayed with stylist Glen Proebstel for a few nights and he kindly gave up his bed for my daughter and I. We slept in linen sheets from Melbourne’s Bedouin Societe, under a knitted linen throw from our own Jacqui Fink and read by a Noguchi light given to Glen by a good Aussie friend. I can lay no claim to the splattered painter’s chair. I had to pay a visit to the Elizabeth Street store of Dinosaur Designs. It didn’t disappoint with the usual beautiful colour combinations, organic shapes and subtle textures they have made their signature.

When it comes to architectural icons they simply don’t get any better than this. Frank Lloyd Wright’s Guggenheim is an exercise in dynamism and his continuous spiral design broke all design boundaries when it opened in 1959. It was his last major building and he died six months before it opened. The Flatiron building, also in Manhattan, was built in 1902 and was based on a triangular ground-plan, hence its defining shape and subsequent nickname – based on an old-fashioned clothes iron. Triangles and circles – greatness, it would seem, is all about geometry.

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